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For the benefit of those who chose to "play the gane, play the game of love", I'll keep it short.

1.) "Radio Ga Ga" was written by Roger Meddows-Taylor (not Roger Andrew Taylor of Duran Duran).

2.) Since 1975, Queen would end every concert with "God Save the Queen."

3.) I can't cook it, but I'll order it from Freddie Mercury's homeland: Zanzibar! (I thought that a Tenacious D lyric would help.)

4.) "Another One Bites the Dust" was going to be the theme for Rocky III/ Getting the rights was difficult, so Stallone settled for an original song by Chicago band Survivor called "Eye of the Tiger".

5.) At the 1992 Freddie Mercury tribute, "We Are the Champions" was sung by Liza Minelli, who Freddie thought would have been perfect for the song. Annie Lennox and David Bowie sang "Under Pressure". Sir Elton John sang the verses to "Bohemian Rhapsody" while W. Axl Rose sang the rockin' bridge.

6.) Everyone got a free point for this because the poll creatrer messed up. In the Queen logo, Freddie used two faeries as his icon, representing his astrological sign, Virgo. The two Leos are the drum 'n' bass (Taylor and Deacon), and the crab was Brian May. Phoenixes are pretty. So are crowns.

Bonus question: Bonus Question: Who should have won Rockstar Supernova besides Storm Large?
I would have taken any answer, but in my opinion, it should have been Tony "Evs" Rand, the "Thunder from Down Under". He has the looks, pipes and the stage presence to keep the guys singing along and the ladies dancing. I found him to be more charismatic and competent.

I also though his vocal delivery was better. For examples, I submit two WMA files of the now-offically-named Rockstar Supernova song, "Be Yourself and Five Other Clichés" first by Lukas Rossi and then by Toby. See the differnece?

In other news, happy anniversary to [livejournal.com profile] solis93 and A. as well as a happy birthday to their E. -- congrats to the birth od Mariana Ariel Thomas -- and once again, birthday wishes to [livejournal.com profile] wolf_kells .

Donna De Lory: "Love Never Dies" : _Bliss_
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Get on your bikes and ride! This should be easier...

[Poll #823089]
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Those answers!

1.) Who composed the start-up music for Windows 95?
Brian Eno
Robert Fripp
Mike Kennally
Alan White

A: Brian Eno! Most of you got this right. (waves to [livejournal.com profile] innowen and [livejournal.com profile] rosenthol7). (Source)

2.) Who will compose the start-up music for Windows Vista (nee' "Longhorn")?
Brian Eno
Robert Fripp
Mike Kennally
Alan White

A: The King of Crimson, Robert Fripp. This stumped everyone.
There's even a video of him live in the studio recording it from scratch. The entire 10 minute-piece sounds like his solo ambient pieces. He's recorded at least three different sonic pallettes for this project. As far as I know, certain snippets will be dissected to make all the appropriate Windows sounds (startup, shutdown, etc...)

3.) Do you suppose that waiting hands on eyes, ________ has gone into hiding?"
Mary
Veronica
Casey Jones
Lucy

A: Veronica. You know the Elvis Costello/PaulMcCartnety song about a woman in a hospital? (Lyrics) (iTunes) I was shocked only one of you got it. It went to #1 in summer 1989. [livejournal.com profile] dryad271 got it.

4.) Ringo Starr, prepared to be in what occupation if the whole drummer thing didn't work out?
Carpenter
Oenologist
Hairdresser
Dog Trainer

A: Hairdresser. Really. He has since changed his mind. [livejournal.com profile] dryad271 scores again!

Rob Brezney was also a
lead singer of a rock band
computer programmer
car salesman
landscaper

A: You know, ya could've gone to his website and figured it out. He was a rockstar, and a very good one to boot of the equally very good World Entertainment War. He shared lead duties with current Jefferson Airplane lead singer Darby Gould. Mp3's here. I recommend starting with "Kick Your Own Ass", and "Dark Ages". I personally like the whole thing. kudos to [livejournal.com profile] wolfieboy for giving the right answer.

The Great Kat, would have been Dryad again, but alas, she does not shred like Katherine Thomas does. Watch her demolish "Flight of the Bumblebee".

I'll have another impossible quiz. Later on. If you feel up to it.

Payday today. who wants to go to Suki's tonight with [livejournal.com profile] kando and I? 9:30pm!
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[Poll #820943]
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With no promises of anything political:

"Imprint" by Doubledrive -- Your standard, radio-ready, modern rock, catchy chorus. You may not like it, but you won't forget it.

"Old Red Wine" by the Who -- You can't even tell its a new Who song. Points for sticking to what works, but pushing the edge a little bit. Extra credit point to Zac Starkey (son of Ringo) for playing exactly like his teacher, Keith Moon, wanted him to.

"Put Your Records On (acoustic)" by Corinne Bailey Rae -- This is the epitome of a classic 70's style soul, summer song.

"Closer to You" by Brandi Carlile -- Not enough people have listened to this song. A perfect example of a well-built song.

"A Thousand Beautiful Things" by Annie Lennox -- A dark album of love lost, but such rich arrangement! and Annie? Perfect as usual.

"Yoshimi Battles the Pink Robots, Pt.1 / Pt2" -- Another irresistible slice of ear candy.
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Added Jolie Rickman to the wall of dead guitarists.

It doesn't help my mood either that she died almost 13 months ago, and I didn't know about it until today. I'm quite sad, actually.

I met her at a birthday party for my-then manager at the Medicine Hat on Alberta. She was performing that night. Of course none of us party-goers knew that. As the night wore on, I was more into the music than I was into the party, despite people shoving beers and mixed drinks in my hand.

What impressed me was that just by herself, she played like a one-woman Violent Femmes. her warm-up was the intro to her song "Mockingbird" From there she kept up the energy for the next two hours (with a short break).

After the show, I went up and had a conversation with her about our musical backgrounds: we were both from Chicago, doing the DIY thing. She moved out east to New York, working with Ani D and working on social causes. We talked about perceptions in music, especially her song "Chicago" and the implications of prejudice, fear and racism.

Jolie told me that she was touring across the US on her dime and the shows were basically paying her way to promote her music. I gave her a $20 and asked her to give me two of her favorite albums. After some hesitation, she presented me with Suffer to be Beautiful and Sublime Detonation

An in memorial video is posted at http://www.snowshoefilms.com/music.html Seventh down.

So why am I talking about this? Guilt. I promised her a copy of Pearls when I was done with it. Today, I just remembered of my obligation and looked her up, searching for an address.

Bitchcakes.
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All hail the return of the six song weekly listener!

This week's theme is, "Little moments in songs you probably didn't notice before." We start with:

"Open the Door" by Otis Redding At the end of the first chorus, where Brotha Otis is begging his baby to let him in on a late, late night, the drummer taps a muted snare at the right timbre, sounding like a rap, rap, rapping upon a door at 3 am; not quietly, but just enough to be noticed.

"Crossroads" by Tracy Chapman While Sista Tracy is warning you about the Deciever, the tiny sqeaks from her guitar strings are in perfect counter point with the percussion. The way those sqeaks are mixed in make them sound like some otherworldly stringed instument percussively bowed.

"Tether" by Indigo Girls An exhausted drummer throws down his sticks at the end of this song. Must've been the 20th take or something.

"H to the Izzo" by Jay-Z Despite being a horrible rapper, and sloppily borrowing the strings from a 70's Motown track, the hook itself is pretty tight. Even a stopped clock...

"Can't Hide Love" by Earth, Wind and Fire Say what you will, but I like the way they mike a Fender Rhodes electric keyboard patched via Leslie speaker. Unlike their comtemporaries, EWF never let that sound override everything else. The focus was always the vocals and horns.

"Specialty" by Howard Jones The chorus. That beautiful, beautiful chorus -- a perfect madrigalism of discovering calm and sanity in an other wise hectic, frantic, mad world.
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I redesigned my blog. I know [livejournal.com profile] kando hates the colour scheme, but at least these screen-worn eyes can see eveything. Of course, I'll change it.

On to the list. Note that links to these song files will take you directly to iTunes. Even if you don't have one of those dang iPods, it's a killer freeware app.

Track 1: "We R in need of a Musical ReVoLuTIon" by Esthero
Holy shit. The first line is the cincher. "I'm so sick and tired of the shit on the radio / and MTV. They only play the same thing / no matter where I go. I see Ashanti in the video. / I want something more!"

... and the song kicks into a slammin' live drum groove reminiscent of an 80's break dance beat, as does the ambient Prophet synth humming in the back. I, for some reason, love it. Maybe it's the video, [mostly work safe, arty semi nudity, QuickTime] which cites some of the women in pop whom've made their own revolution, while her friends are inspired to kill their televisions. Maybe it's her tight double -tracked vocals. And I find out that she's been at it for years. Dammit! You know, I live in Portland to keep up with the best in music, but all I lately get are skinny white boys with nautical star tattoos on their wrists.

P.S. Yes, that is Esthero singing "White Rabbit" for the Blue Man Group.

Track 2: "The Circle Game" by Joni Mitchell"
The last time I even thought about listening to the song was sometime in September 2001. I wanted to play it again last September. I just played it again to keep my sanity going, wilst giving love to both [livejournal.com profile] tidesong and [livejournal.com profile] kando. Life is but a game, or so Joni says. And we go round and round.

Track 3: "Go Talk to Mary" by Donna DeLory
Another sleeping giant in my collection. This is the same Donna of "Nikki and Donna" who have sung back up for Madonna on nearly every damn album and tour. It seems that the Spiritual Path seemed to influence Donna too. Except where as Madonna went to the Kaballah Centre and changed her name to Esther, Donna just travelled the world and took up yoga instead. The results are on her album Bliss. Worth a listen.

Track 4: "The Girl I Knew Somewhere" by the Monkees"
Yes. My favortie Monkee is Michael Nesmith. My favortie song by him is not this, but actually the Elephant Parts-era "Drive the El Dorado to the Moon". "You Just May be the One" is my thrid favorite. "Somewhere" is a close second, especially his original version.

Track 5: "Mr Blue Sky" by Electric Light Orchestra"
Now known as the theme to the now-cancelled "LAX" TV show and a principal song in in "Eternal Sunshine of the Spotless Mind" (Oh the parallels in my life with that movie, let me not tell you!), this classic ELO track is full of everything that made Jeff Lynne's attempt to out-gun the Beatles a pretty decent outfit.

Track 6: "Djobi Djoba" by the Gipsy Kings"
They do not suck. I repeat, they do not suck! I will always associate the Gipsy Kings with this song. I remember watching MTV International on Channel 44 (WSNS, Chicago) one Saturday afternoon in summer and Daisy Fuentes introducing this band's video. Hey... it was either this, or their flemenco rave-up of "Hotel California"

I love doing these lists.
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Belated happy birthday to [livejournal.com profile] tikimama, the devistatingly gorgeous, non-Decemberists-listening hip chick.

Here are six more songs to keep us hip, this time, I'll try to keep the list at less-than-five-years old. I'll try not to mention Stevie Wonder or Tori Amos this time.

Track 1: "Waltz, No. 2 (XO)" by Eliott Smith. I heard this for the first time two years ago shopping for shoes. Eliott was still alive. I wish he were still alive. I really love how the song just churns along with the "boom, chuk-chuk" of the 3/4 pattern. Each time the chorus come along, everything stops with, "I'm never gonna know you now, but I'm gonna love you anyhow," then back into the rest of the song again. I've always wished Rose Polenzani covered this song.

Track 2: "Olga's Birthday" by Rose Polenzani Those of us who followed her since her days of being the star student at what I call "the No Exit Cafe School of Performance," know that a whack of her name on Google brings up several fansites and many glowing reviews. She deserves it. Those of us remember when she took the stage one January evening in 1996 with a new song, which refrained, "Olga, you've been sinnin'. Tomorrow, I'll take you away from this. Olga, hitch up your boots 'n' shit. I've brought you Jesus for your birthday." I've never forgotten that song since.

Since the 1999 release of Anybody, I've taught myself the open-D tuning Rosie plays it in and I've played it at home just to see if I could do it. The cool thing -- the astonishing thing -- is that there are other girls and boys, much younger than I, hearing "Olga's birthday" for the first time, getting their guitars and learning it too.

Track 3: "Center of the Sun" by ConJureOne w/vox by Poe One of a few guest vocals Ms. Danielewski performs, giving something to tide us Angry Psychos over until her management's contract is up or resolved. If you think this track is genius, please, for the love of all that is just, get Haunted. You will cry with her.

"Center of the Sun" is airy, groovy, danceable and good enough to simply just listen to.

Track 4: "Boom, Like That" by Mark Knopfler The story of Ray Kroc's rise to power, from Kroc's POV, without a hint of irony or sneer. Catchy as hell. Beware, you'll have to defend your hipster cred for liking a song by that "Money for Nothing" guy.

Track 5: "Sugar Water" by Cibo Matto I know [livejournal.com profile] terriblelynne will roll her eyes at this one, as we share a dichotomic interest in this Japanese duo. The lyrics make sense to me at least. If you catch me singing to myself, "La-la-la, la-la-la-la-la-la," that's "Sugar Water." The video's pretty effing cool, too. (The vid's work-safe, even for a brief neck-up, non-sexy shower scene.) The other material on M&C May Not Be.

Track 6: "Genius in France" by "Weird Al" Yankovic Instead of parodying a Frank Zappa song, which would have been quite expensive, Al writes a whole new song, cramming nearly every possible Zappa lick, phrase and style (minus the humour du toilette) into nine minutes. Complete with solos from Dweezil Zappa, "Genius in France" is a great tribute to one of America's greatest rock composers.

Tuseday, a real LJ-type update. Promise.
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This week's list is courtesy of me saying happy birthday to [livejournal.com profile] melintur

Track 1: "Uninvited" by Alanis Morissette Brooding, dark, and with that piano ostinato plinking away as the driver of that song, you can tell that was written during the time she and Tori Amos went on tour together. Tori's influence (perhaps, suggestions) are manifest in this track, from the dynamic rise and fall in this arrangement. It starts with the plinking piano ( ||: D, A, A#, A :|| ) and builds and builds, until hauntingly, the song ends with "I need a moment to deliberate," without resolution, save for the band playing a fade out. Her MTV Unplugged performance of this is superb. Alanis' best song, period, with "Still" from the movie Dogma a dangerously close second.

Track 2: "Vrbana Bridge" by Jill Sobule A brilliant, moving, romantic and sad story/song. Any further description does me no good. Read and listen for yourselves: Here is the song on Jill's site. This is the news story the song is based on.

Track 3: "Take Five" by the Dave Brubeck Quartet Written by their sax player, Paul Desmond, mixed meter is now cool, and semi-mainstream. The five-count is nearly hypnotic.

Track 4: "Desperado" by the Langley Schools Music Project

A bit of back story: Somewhere in British Columbia, Hans Fenger, a school teacher, determined to get his students interested in music, took his school's Orff-Schulwerk-sanctioned instruments, puts them in the hands of his students, and instead of teaching them "Hot Cross Buns" or the typical boring pedagogic tripe, teaches them the three B's... Bowie, Brian Wilson and the Beatles. The result was two (!) albums released by the school to students and faculty in 1976 and 1977 called Innocence and Despair respectively.

The Orff-Schulwerk organization listens to the result and refuses to have anything to do with it.

Years later, the albums are unearthed via airplay on WFMU, creating a buzz. The albums are now re-mastered on a commercially available CD.

The performance of the Eagles classic, stripped down to its bare essence by Fenger on piano and a 10-year-old Sheila Behman singing is considerably more moving, more emotional and simply better than Don Henley's original -- and I'm not just saying that because it's en vogue to diss Henley. I just simply have this feeling that when the song came to Henley late at night many years ago, that song may have whispered in his ear sounding much like Behman's.

Despite the surprise success of the re-release, and praise from David Bowie and John Zorn, Orff-Schulwerk still refuses to have anything to do with this. They need to get some soul.

Track 5: "Jesus of Suburbia" by Green Day I like this ballet. It's brilliant, loud, forceful and poignant. The story of a young man's disillusionment with the world around him and the thoughts which race through his head impressed me more so than than the music itself, which says a lot. Reality check: Billie Joe Armstrong and I are the same age.

Track 6: "So What the Fuss" by Stevie Wonder ...with Prince on guitar and En Vogue on backing vocals. This new track is blowin' up everywhere and is confirming that Stevie has not lost a step (and that really cheesy, overplayed song of his from the movie The Woman in Red is officially behind him). This is from his first album in nine years called A Time 2 Love. The reviews so far say it's worth the wait.
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Since I've been tagged twice, I'm more than happy to share with you six of my favorite songs, now with wonderful explanations! To the hit list of no particular order!

Track 1: "Silent All These Years" by Tori Amos It was either this or "Your Cloud". That song came to me at a time when I was considering quitting music and going into something else entirely. I asked the Universe that if I weren't to quit making music, show me a sign. I get the point.

The song itself is a walk through the mind of a person who is finding her own voice despite someone else not wanting to deal with it. Poignant with a hook that isn't a hook and a song with a creeping soul that easily becomes part of your own melodic structure. A classic.

Track 2: "Stoned Soul Picnic" by Laura Nyro The most perfect pop song. Yes, it's indicative of the era -- it's from 1966, full of the optimism of the decade. There'll be trains of blossom, trains of music, surrey on sweet trains of thought." This song has everything, taking you to an alternate universe of gardens, fancy tonal colors, horns like breathing, and quadruple-tracked Lauras. wonderful. It segues perfectly into...

Track 3: "Penny Lane" by the Beatles Another song where a world is neatly packed into three minutes of a delight of a tune. Possibly, the last time Paul and John truly wrote a song together in the same room.

Track 4: "I Wish" by Stevie Wonder This has been a song I've lived though, from the first time I heard it when I was five years old. This song hits hard, horns, groove, everything. Quincy Jones, ever the master of sonic feng shui arranges everything perfectly from drums to the little shouts and yelps Stevie adds to the background during the verses. My G-d! How can this get any better?

Track 5: "Serra Pelada" by Philip Glass This is not the comissioned-by-Twyla-Tharp stuff some of you hate so much (yet I like anyway). This is the opening track to his best soundtrack ever, Powwaqatsi. Western Minimalism returns to its roots, that being tribal eastern and African music. The result is a rousing thrilling, exciting score... and that's just the first track.

Track 6: "Now" by NoMeansNo Also a great example of an opening track to an album. Aw hell, the entirety of Zero Plus Two Equals One is an amazing hard rock album. I thank [livejournal.com profile] maxomai for introducing me to this band and getting me this album for my birthday a few years ago.

I'd add more, but they only wanted six.

So [livejournal.com profile] kando, [livejournal.com profile] starwolf67, [livejournal.com profile] tidesong, and [livejournal.com profile] spirit_dragon, [livejournal.com profile] maxomai and [livejournal.com profile] monkeykiss, what are your top six picks?

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